《黄金年代》是“限娱令”之后安徽卫视花重金打造的一档大型舞台秀节目，每期120万的大手笔投入，节目以“季”为呈现方式。每季决出一个“观众心中真正的黄金年代”，决出的过程是5个年代的淘汰晋级赛。通过年代之间不同主题的展示，以观众投票的方式，产生胜负。

《黄金年代》是“限娱令”之后安徽卫视花重金打造的一档大型舞台秀节目，每期120万的大手笔投入，节目以“季”为呈现方式。每季决出一个“观众心中真正的黄金年代”，决出的过程是5个年代的淘汰晋级赛。通过年代之间不同主题的展示，以观众投票的方式，产生胜负。

A group of aging superheroes live together in a retirement home.

你还记得50年代的好莱坞出产过什么优秀的电影吗 　　电视作为一种新兴事物霸占了大众了娱乐时间，人们从银幕到荧幕的转变让电影措手不及 　　本合集选出了8部好莱坞50年代经典的电视作品，包括[马蒂]、[战鼓轻敲]、[荒唐大兵]等

你还记得50年代的好莱坞出产过什么优秀的电影吗 　　电视作为一种新兴事物霸占了大众了娱乐时间，人们从银幕到荧幕的转变让电影措手不及 　　本合集选出了8部好莱坞50年代经典的电视作品，包括[马蒂]、[战鼓轻敲]、[荒唐大兵]等

陈东一觉醒来，发现自己重生到遍地是黄金的1990年。带着前世的遗憾，从卖茶叶蛋开始金融危机，石油危机，粮食危机在一次次黑天鹅事件中，陈东弯道逆袭。他用敌人最擅长的资本告诉大家。此刻，东方的巨龙已经觉醒！

痞帅学渣吴恒辍学离家，偶然认识了路依鸣，对她一见钟情。当吴恒为了她进入晨江二中，才发现她与同班学霸许文捷彼此暗恋。在高三倒计时的日子里，三人经历了流言、误解，但最终选择相互支持，勇敢逐梦，为自己的人生努力拼搏。

痞帅学渣吴恒辍学离家，偶然认识了路依鸣，对她一见钟情。当吴恒为了她进入晨江二中，才发现她与同班学霸许文捷彼此暗恋。在高三倒计时的日子里，三人经历了流言、误解，但最终选择相互支持，勇敢逐梦，为自己的人生努力拼搏。

The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 by Raphael. 　　Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 years, right up until the birth of Modernism. 　　As much as it was a cultural 'rebirth', the Renaissance was also a revolution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television. 　　As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.

The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 by Raphael. 　　Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 years, right up until the birth of Modernism. 　　As much as it was a cultural 'rebirth', the Renaissance was also a revolution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television. 　　As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.